<?xml version="1.0" encoding="UTF-8"?>
<urlset xmlns="http://www.sitemaps.org/schemas/sitemap/0.9" xmlns:image="http://www.google.com/schemas/sitemap-image/1.1" xmlns:xhtml="http://www.w3.org/1999/xhtml">
  <url>
    <loc>https://www.360storytelling.org/de/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2024-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/8facfc17-cfa6-405b-8da5-ad683b7193b8/360%C2%B0_Titelbild_webseite_2024_DE.jpg</image:loc>
      <image:title>Das Projekt – in Kürze</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/team</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-04-30</lastmod>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/visuelles-planen-storyboarding</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1548843733392-OQFZKIAR92YOGCX98YM5/image-asset.png</image:loc>
      <image:title>Visuelles Planen – Storyboarding</image:title>
      <image:caption>Abb.: Storyboard von Martin Scorsese für den Film “Raging Bull” aus The Art of Movie Storyboards (2013)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580551580293-QJBI65P1HIAV92WY0532/Sotyboarding_InspektorCrazy_set.jpg</image:loc>
      <image:title>Visuelles Planen – Storyboarding</image:title>
      <image:caption>Abb. Probe beim Dreh für die Schlussszene des Films Inspector Crazy (SRF360, 2018, Regie Christophe Merkle)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580552621705-930V3BJQH60W6WMC7ZNX/Storyboarding_InspektorCrazy_set_3.jpg</image:loc>
      <image:title>Visuelles Planen – Storyboarding</image:title>
      <image:caption>Abb.: Darstellung von mehreren Ebenen für verschiedene Phasen des Drehs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1548843783818-NVA6JDJT892EK2PC6KQ0/Bildschirmfoto+2019-01-30+um+11.18.18.png</image:loc>
      <image:title>Visuelles Planen – Storyboarding</image:title>
      <image:caption>Abb.: 007 Storyboard Bond by Design (2015, p.238)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1548843808309-0WTE691Z8OW75C2HCHFZ/Bildschirmfoto+2019-01-30+um+11.19.00.png</image:loc>
      <image:title>Visuelles Planen – Storyboarding</image:title>
      <image:caption>Abb.: Sphereboard von Sina Dolati.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580552279011-N0CO5YVD8JO9H5P3SE6R/Storyboarding_InspektorCrazy_set_2.jpg</image:loc>
      <image:title>Visuelles Planen – Storyboarding</image:title>
      <image:caption>Abb.: Illustrierte Darstellung der ersten Szene aus der SRF 360° Produktion «Inspector Crazy».</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580552939008-JWE74KUTIL09BUVNVJ7E/Sotyboarding_InspektorCrazy_app.jpg</image:loc>
      <image:title>Visuelles Planen – Storyboarding</image:title>
      <image:caption>Abb.: Eine Szene aus Inspector Crazy: dargestellt mit der App Shot Pro (links), rechts dazu das originale Setting.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/workflow-preproduction</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580502832833-0X0VQVTF9JHSKIC4TOS4/Akquise_workflow.gif</image:loc>
      <image:title>Workflow</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580506903021-OQQ923EYOZ2N9GEV9SR5/Pre_Production_workflow_nachtspiel_3.jpg</image:loc>
      <image:title>Workflow</image:title>
      <image:caption>Abb.: Still aus dem Test-Dreh für NACHTSPIEL auf einem abgelegenen Kohlplatz im Wald (Entlebuch)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580506023696-KBJWURCZC8LJEYTNY4HO/Pre_Production_workflow_nachtspiel_1.gif</image:loc>
      <image:title>Workflow</image:title>
      <image:caption>Abb.: Drehort für NACHTSPIEL auf einer Hochebene in den Bergen (Nähe Andermatt, Schweiz)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580569819527-E0757VFRLXHLGCD4Q44O/Konzeption_workflow.gif</image:loc>
      <image:title>Workflow</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1581068475231-1CZIKDOKDSGM2NG24UTP/Pre_Production_workflow.gif</image:loc>
      <image:title>Workflow</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580506769250-S6H39ITZHZ274B4T2JKV/Pre_Production_workflow_nachtspiel_2.jpg</image:loc>
      <image:title>Workflow</image:title>
      <image:caption>Abb.: Vorbereitungen am Drehort für NACHTSPIEL</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/formen-der-inszenierung</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-20</lastmod>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/unterschiedliche-erzaehlperspektiven</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580511425608-D5JOM27L38ZCS1A200W1/0_First_Impressions.jpg</image:loc>
      <image:title>Unterschiedliche Erzählperspektiven</image:title>
      <image:caption>Abb: Still aus Film ‘First Impressions: a virtual experience of the first year of life’ | Guardian VR, 2017. In welchem die Sicht eines Neugeborenen ‘simuliert’ wird.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580513258537-C9DB242S9D0YVJKVJK8C/6_The_Pull.jpg</image:loc>
      <image:title>Unterschiedliche Erzählperspektiven</image:title>
      <image:caption>Abb.: Still aus The Pull | Quba Michalski, 2016. In diesem 360°Film wird man Zeuge von Experimenten mit der Schwerkraft. Dabei wird nur durch Text auf die betrachtende Person eingegangen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580512531867-BHA17QK8HTPJFQTZWYTE/3_After_Solitary.jpg</image:loc>
      <image:title>Unterschiedliche Erzählperspektiven</image:title>
      <image:caption>Abb. Still aus After Solitary | FRONTLINE, 2017. Hier wird die zuschauende Person involviert in dem der Hauptprotagonist mit uns spricht und den Raum erklärt, in dem er sich aufhält und bewegt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580510410050-TGKVBRNU2EP7SPKJM0N7/Bourbaki_1.jpg</image:loc>
      <image:title>Unterschiedliche Erzählperspektiven</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580512597777-2HXKSLK4ZUFSB7YNBLTG/4_Future_of_Music.jpg</image:loc>
      <image:title>Unterschiedliche Erzählperspektiven</image:title>
      <image:caption>Abb.: Still aus The Future of Music | Phenomena Labs, 2016. Eine vermeintliche Musiklegende erklärt auf ironische Weise wie er ein Musikgenre erfunden hat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580513036991-Z7T2VJ6LZEYK87W9S05Z/5_Intimate_Strangers.jpg</image:loc>
      <image:title>Unterschiedliche Erzählperspektiven</image:title>
      <image:caption>Abb: Still aus Intimate Strangers | Lithic VR, 2016. Ein unbeteiligter, voyeuristischer Blick aus dem Kleiderschrank. In diesem Beziehungsdrama wird während dem ganzen Film nicht auf den Zuschauer eingegangen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580512374068-80J4ERX2G5VYL8HJDGK3/The-invisible-Man.jpg</image:loc>
      <image:title>Unterschiedliche Erzählperspektiven</image:title>
      <image:caption>Abb: Still aus Film ‘Invisible Man’ | Hugo Kejizer, 2018. Beispiel einer subjektiven Beteiligung als Opfer einer bedrohlichen Situation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/bild</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580556683947-EKBUOMRUY5IAN34SJ3KS/Pre_Production_Bild.jpg</image:loc>
      <image:title>Bild</image:title>
      <image:caption>Abb.: Links ein Still aus einem 360°Film in Stereoskopie, wobei das Bild für das linke Auge Oben und das für das rechte Unten ist. Rechts ein Still aus demselben Film, nun monoskopisch – das HMD rendert ein Bild ohne 3D Effekt von Tiefe. Film-Quelle: http://bigmancgi.com/blog/mono-vs-stereo-vr/</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/raum-produktion</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580564897780-OB5IOQEDDOPUS2WETFGJ/Produktion_Ho%CC%88hlenfilm.jpg</image:loc>
      <image:title>Raum</image:title>
      <image:caption>Abb.: 360°Film-Still aus CAVES (2021) von Carlos Isabel Garcia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580564917944-5DGAYPONDHPEIGOUCRG6/Produktion_Nachtspiel.jpg</image:loc>
      <image:title>Raum</image:title>
      <image:caption>Abb.: Still aus NACHTSPIEL (SRF, 2019) von Robert Müller und Christophe Merkle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1550075484185-H2FD3YASJ0BI8EV3FZHU/image-asset.jpeg</image:loc>
      <image:title>Raum</image:title>
      <image:caption>Abb.: Beispiel einer Histogramm-Darstellung wie sie bei Kameraeinstellungen neuerer Modelle verfügbar ist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/ton-produktion</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-21</lastmod>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/tonebene-postproduktion</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580557490045-W1GB8M987VSKX1S7VY8B/Post_Production_Tonebene_2.jpg</image:loc>
      <image:title>Tonebene</image:title>
      <image:caption>Abb.: Darstellung der immer feiner aufgeteilten Kanäle nach dem Prinzip HOA (high order ambisonics).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580557336583-3FLWJNTIIZ2XBQ92HMY6/Post_Production_Tonebene_1.jpg</image:loc>
      <image:title>Tonebene</image:title>
      <image:caption>Abb.: Darstellung der erwähnten 4 Kanäle nach dem Prinzip FOA («first order ambisonics»).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/immersion-in-audiovisuellen-medien</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-03</lastmod>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/zeit-und-raumformen-im-360-film</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-18</lastmod>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/schrift-in-der-virtuellen-realitaet</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580397141037-4QUPONAPU6GUT0GNP93R/Caligari.jpg</image:loc>
      <image:title>Schrift in der virtuellen Realität</image:title>
      <image:caption>Still aus Cabinet des Dr. Caligari (Robert Wiene, D 1920)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580398562696-7W77H2U9RU6IBK6015RK/Sherlock_Holmes_4.jpg</image:loc>
      <image:title>Schrift in der virtuellen Realität</image:title>
      <image:caption>Still aus der Serie Sherlock Holmes, Season 3 (BBC, GB 2014)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/beschrieb</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1549616770287-8N2H1TD19FNHCLH1MRXO/logo_SRF.gif</image:loc>
      <image:title>Beschrieb</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580564698339-V29EQGYY9JHBIJ66J2BD/Projet_U%CC%88bersicht.gif</image:loc>
      <image:title>Beschrieb</image:title>
      <image:caption>Abb.1: Übersicht des Projektverlaufs in 4 iterativen Phasen. Erkenntnisse einer Phase fliessen in die nächste ein. Dadurch wird während des Projektverlaufs eine zunehmende Fokussierung der Erkenntnisse möglich. Es handelt sich hierbei um ein mehrfach iteratives Vorgehen, in welchem dieselben Stadien mehrmals durchlaufen werden um Vergleichbarkeit herzustellen und den Weg der Erkenntnisproduktion zu standardisieren</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1549616084192-RKBH2AQJJXYU9XDJ2THU/JPEG_EN-Logo-Original-SHARED-170802.jpg</image:loc>
      <image:title>Beschrieb</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/erlebnis-360film-was-macht-das-besondere-eines-360films-aus</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580508281070-P3SQM2UMLEZU6UNKEXDU/Erlebnis_360.jpg</image:loc>
      <image:title>Erlebnis 360° Film: Was macht das Besondere eines 360°-Films aus?</image:title>
      <image:caption>Edouard Castres, Bourbaki-Panorama (1881) | Foto © Bourbaki Panorama Luzern</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/schrift-postproduktion</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580514283588-3ZEHK1J79ZNX312O6XB1/Text_Bourbaki.jpg</image:loc>
      <image:title>Schrift</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/ton</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580554138737-8YU7W5FQNXT580KS0VPT/Objektplatzierung_Ton.jpg</image:loc>
      <image:title>Ton</image:title>
      <image:caption>Abb.: Objektplatzierung auf den drei Achsen X-Achse: vorne, hinten / Y-Achse: links, rechts / Z-Achse: oben, unten</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/workflow-produktion</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580569969691-AIOX132GXM9OJCJUOUC6/Production_Workflow.gif</image:loc>
      <image:title>Workflow</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/licht-produktion</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580554556523-E7FZ4GU6C5TYXGRAQH3J/Cirque_de_Soleil.jpg</image:loc>
      <image:title>Licht</image:title>
      <image:caption>Abb: Still aus Cirque de Soleil (Felix &amp; Paul, 2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580542034872-0JEWLODCCAQZGRYQK6D5/Bourbaki_4.jpg</image:loc>
      <image:title>Licht</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/workflow-postproduktion</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580513827660-AYLHLK7ZGR5TO0MIEKSL/Post_Production_workflow.gif</image:loc>
      <image:title>Workflow</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/de/bildebene-postproduktion</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580560730418-6NJDMDXDE4CBTZJ8UL94/Post_Production_Bildebene_iPhilip.jpg</image:loc>
      <image:title>Bildebene</image:title>
      <image:caption>Abb.: Beispiel für einen Übergang mit Animationen – Still aus iPhilip von Hulu VR (2017).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580558637715-M5G6M9MSMKY86R4DYVVU/Post_Production_Bildebene_PeoplesHouse.jpg</image:loc>
      <image:title>Bildebene</image:title>
      <image:caption>Abb.: Beispiel für einen Übergang von Schwarz zu Weiss – Still aus The People's House von Felix &amp; Paul Studios (2017).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580559054744-YCZGEJMGKKQ86NGTAY41/Post_Production_Bildebene_Attenburough.jpg</image:loc>
      <image:title>Bildebene</image:title>
      <image:caption>Abb.: Beispiel für Überblendung – Still aus Sir David Attenborough on Museum Collections des American Museum of Natural History (2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580561688314-WHFF3PG2SHFNHXE0EKSD/Post_Production_Bildebene_Climat_Feast.jpg</image:loc>
      <image:title>Bildebene</image:title>
      <image:caption>Abb.: Beispiel für die Kombination von verschiedenen Schnittvarianten – Still aus This is Climate Change: Feast von Danfung Dennis &amp; Eric Strauss (2018).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580560935747-HMHTLZAMXODAU2KZR8K2/Post_Production_Bildebene_Make_a_Sound.jpg</image:loc>
      <image:title>Bildebene</image:title>
      <image:caption>Abb.: Beispiel für einen Übergang mittels Kamerafahrt – Still aus Does it make a Sound? von Poke the Bear Productions in Zusammenarbeit mit Kapwa (2018).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580559741298-O0E6ZY6ZOZSILOUZZNVK/Post_Production_Bildebene_Lions.jpg</image:loc>
      <image:title>Bildebene</image:title>
      <image:caption>Abb.: Beispiel für einen harten Schnitt– Still aus Lions 360° | National Geographic (2017).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/english/introduction/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/8cc9d514-8c1f-43a3-8099-578fd3566888/360%C2%B0_Titelbild_webseite_2024_EN.jpg</image:loc>
      <image:title>The Project – in a nutshell</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/english/introduction/experience</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580508281070-P3SQM2UMLEZU6UNKEXDU/Erlebnis_360.jpg</image:loc>
      <image:title>360° Film Experience</image:title>
      <image:caption>Edouard Castres, Bourbaki-Panorama (1881) | Photo © Bourbaki Panorama Luzern</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/english/introduction/narrative-perspectives</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580513036991-Z7T2VJ6LZEYK87W9S05Z/5_Intimate_Strangers.jpg</image:loc>
      <image:title>Narrative Perspectives</image:title>
      <image:caption>Film still from Intimate Strangers | Lithic VR, 2016. An uninvolved, voyeuristic view from the wardrobe. In this relationship drama, no attention is paid to the viewer throughout the film.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580512531867-BHA17QK8HTPJFQTZWYTE/3_After_Solitary.jpg</image:loc>
      <image:title>Narrative Perspectives</image:title>
      <image:caption>Film Still from After Solitary | FRONTLINE, 2017. We, as the viewer, are involved by the main protagonist talking to us and explaining the details of the enclosed room he is in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580513258537-C9DB242S9D0YVJKVJK8C/6_The_Pull.jpg</image:loc>
      <image:title>Narrative Perspectives</image:title>
      <image:caption>Film still from The Pull | Quba Michalski, 2016. In this 360°film the viewer witnesses gravitational experiments and is only addressed via on-screen text.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580512374068-80J4ERX2G5VYL8HJDGK3/The-invisible-Man.jpg</image:loc>
      <image:title>Narrative Perspectives</image:title>
      <image:caption>Film still from ‘Invisible Man’ | Hugo Kejizer, 2018. Example of subjective POV as a ‘victim’ in a threatening situation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580510410050-TGKVBRNU2EP7SPKJM0N7/Bourbaki_1.jpg</image:loc>
      <image:title>Narrative Perspectives</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580512597777-2HXKSLK4ZUFSB7YNBLTG/4_Future_of_Music.jpg</image:loc>
      <image:title>Narrative Perspectives</image:title>
      <image:caption>Film still from The Future of Music | Phenomena Labs, 2016. A supposed music legend ironically explains how he invented a musical genre and refers to visible details in the 360°space.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580511425608-D5JOM27L38ZCS1A200W1/0_First_Impressions.jpg</image:loc>
      <image:title>Narrative Perspectives</image:title>
      <image:caption>Film still from ‘First Impressions: a virtual experience of the first year of life’ | Guardian VR, 2017. In this production, the view of a newborn baby is 'simulated'.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/preproduction/workflow</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1628683761470-Z3QZT047ZE8CKHIWAKSM/2_workflow_concept.gif</image:loc>
      <image:title>Workflow</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580506903021-OQQ923EYOZ2N9GEV9SR5/Pre_Production_workflow_nachtspiel_3.jpg</image:loc>
      <image:title>Workflow</image:title>
      <image:caption>Still from test shooting for NACHTSPIEL being done at a remote coal yard in the forest (Entlebuch)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580506023696-KBJWURCZC8LJEYTNY4HO/Pre_Production_workflow_nachtspiel_1.gif</image:loc>
      <image:title>Workflow</image:title>
      <image:caption>Shooting location for NACHTSPIEL on a plateau in the alpine mountains near Andermatt, Switzerland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580506769250-S6H39ITZHZ274B4T2JKV/Pre_Production_workflow_nachtspiel_2.jpg</image:loc>
      <image:title>Workflow</image:title>
      <image:caption>Preparation of the 360°scenery in the alpine mountains for NACHTSPIEL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1628607994506-C7VB1VCHSNX7NTD7LJ9S/1_workflow_acquisition.gif</image:loc>
      <image:title>Workflow</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1628762175545-5GJN7G5GSSOHLHT8TNGO/3_workflow_preproduction.gif</image:loc>
      <image:title>Workflow</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/preproduction/forms-of-staging</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-10</lastmod>
  </url>
  <url>
    <loc>https://www.360storytelling.org/preproduction/storyboarding</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580552621705-930V3BJQH60W6WMC7ZNX/Storyboarding_InspektorCrazy_set_3.jpg</image:loc>
      <image:title>Storyboard - Visual planning</image:title>
      <image:caption>Visualisation of layered levels for different phases of the shoot.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580552279011-N0CO5YVD8JO9H5P3SE6R/Storyboarding_InspektorCrazy_set_2.jpg</image:loc>
      <image:title>Storyboard - Visual planning</image:title>
      <image:caption>Visual rendering of the first scene from «Inspector Crazy» (SRF360, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1548843783818-NVA6JDJT892EK2PC6KQ0/Bildschirmfoto+2019-01-30+um+11.18.18.png</image:loc>
      <image:title>Storyboard - Visual planning</image:title>
      <image:caption>James Bond 007 Storyboard by Design (2015, p.238)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580552939008-JWE74KUTIL09BUVNVJ7E/Sotyboarding_InspektorCrazy_app.jpg</image:loc>
      <image:title>Storyboard - Visual planning</image:title>
      <image:caption>A scene from Inspector Crazy: shown with the application ShotPro (left), with the original setting on the right.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580551580293-QJBI65P1HIAV92WY0532/Sotyboarding_InspektorCrazy_set.jpg</image:loc>
      <image:title>Storyboard - Visual planning</image:title>
      <image:caption>Rehearsal during the shooting for the final scene of the film Inspector Crazy (SRF360, 2018, directed by Christophe Merkle)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1548843808309-0WTE691Z8OW75C2HCHFZ/Bildschirmfoto+2019-01-30+um+11.19.00.png</image:loc>
      <image:title>Storyboard - Visual planning</image:title>
      <image:caption>Sphereboard by Sina Dolati.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1548843733392-OQFZKIAR92YOGCX98YM5/image-asset.png</image:loc>
      <image:title>Storyboard - Visual planning</image:title>
      <image:caption>Storyboard by Martin Scorsese for the film “Raging Bull” from The Art of Movie Storyboards (2013)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/preproduction/image</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580556683947-EKBUOMRUY5IAN34SJ3KS/Pre_Production_Bild.jpg</image:loc>
      <image:title>Image</image:title>
      <image:caption>A still from a 360° film in stereoscopy, with the image for the left eye on top and the image for the right eye on the bottom. On the right, a still from the same film, now monoscopic - the HMD renders an image without the 3D effect of depth. Film source: http://bigmancgi.com/blog/mono-vs-stereo-vr/</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/preproduction/sound</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580554138737-8YU7W5FQNXT580KS0VPT/Objektplatzierung_Ton.jpg</image:loc>
      <image:title>Sound</image:title>
      <image:caption>Object placement on the three axes. X-axis: front, back / Y-axis: left, right / Z-axis: top, bottom.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/postproduction/workflow</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1628608162607-2H1LXEZFZT8FI0J41LQJ/5_workflow_postproduction.gif</image:loc>
      <image:title>Workflow</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/postproduction/image-editing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580561688314-WHFF3PG2SHFNHXE0EKSD/Post_Production_Bildebene_Climat_Feast.jpg</image:loc>
      <image:title>Image Editing</image:title>
      <image:caption>Example of the combination of different cutting variants - still from This is Climate Change: Feast by Danfung Dennis &amp; Eric Strauss (2018).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580560935747-HMHTLZAMXODAU2KZR8K2/Post_Production_Bildebene_Make_a_Sound.jpg</image:loc>
      <image:title>Image Editing</image:title>
      <image:caption>Example of a transition via tracking shot - still from Does it make a Sound? a collaboration with Poke the Bear and Kapwa (2018).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580559741298-O0E6ZY6ZOZSILOUZZNVK/Post_Production_Bildebene_Lions.jpg</image:loc>
      <image:title>Image Editing</image:title>
      <image:caption>Example of a hard cut – still from Lions 360° | National Geographic (2017).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580558637715-M5G6M9MSMKY86R4DYVVU/Post_Production_Bildebene_PeoplesHouse.jpg</image:loc>
      <image:title>Image Editing</image:title>
      <image:caption>Example of a transition from black to white - film still from The People's House by Felix &amp; Paul Studios (2017).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580559054744-YCZGEJMGKKQ86NGTAY41/Post_Production_Bildebene_Attenburough.jpg</image:loc>
      <image:title>Image Editing</image:title>
      <image:caption>Example of cross-fading - still from Sir David Attenborough on Museum Collections at the American Museum of Natural History (2018).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580560730418-6NJDMDXDE4CBTZJ8UL94/Post_Production_Bildebene_iPhilip.jpg</image:loc>
      <image:title>Image Editing</image:title>
      <image:caption>Transitions through animations – still from iPhilip by Hulu VR (2017).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/postproduction/sound-editing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580557490045-W1GB8M987VSKX1S7VY8B/Post_Production_Tonebene_2.jpg</image:loc>
      <image:title>Sound Editing</image:title>
      <image:caption>Representation of the increasingly finely divided channels according to the HOA principle (high order ambisonics).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580557336583-3FLWJNTIIZ2XBQ92HMY6/Post_Production_Tonebene_1.jpg</image:loc>
      <image:title>Sound Editing</image:title>
      <image:caption>Representation of the mentioned 4 channels according to the principle FOA («first order ambisonics»).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/postproduction/type-and-typography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580514283588-3ZEHK1J79ZNX312O6XB1/Text_Bourbaki.jpg</image:loc>
      <image:title>Type and Typography</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/production/workflow</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1629708088525-50ZF3BZVP3JGRE99193A/3_workflow_preproduction.gif</image:loc>
      <image:title>Workflow</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/production/light</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580542034872-0JEWLODCCAQZGRYQK6D5/Bourbaki_4.jpg</image:loc>
      <image:title>Light</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580554556523-E7FZ4GU6C5TYXGRAQH3J/Cirque_de_Soleil.jpg</image:loc>
      <image:title>Light</image:title>
      <image:caption>Still from Cirque de Soleil (Felix &amp; Paul, 2018)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/production/space</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580564897780-OB5IOQEDDOPUS2WETFGJ/Produktion_Ho%CC%88hlenfilm.jpg</image:loc>
      <image:title>Space</image:title>
      <image:caption>360°film Still from CAVES (2021) by Carlos Isabel Garcia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1550075484185-H2FD3YASJ0BI8EV3FZHU/image-asset.jpeg</image:loc>
      <image:title>Space</image:title>
      <image:caption>Example of a histogram display as available with camera settings of newer models.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580564917944-5DGAYPONDHPEIGOUCRG6/Produktion_Nachtspiel.jpg</image:loc>
      <image:title>Space</image:title>
      <image:caption>Still from NACHTSPIEL (SRF, 2019) by Robert Müller and Christophe Merkle.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/production/sound</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-10</lastmod>
  </url>
  <url>
    <loc>https://www.360storytelling.org/project/team</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-04-30</lastmod>
  </url>
  <url>
    <loc>https://www.360storytelling.org/project/overview</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1549616770287-8N2H1TD19FNHCLH1MRXO/logo_SRF.gif</image:loc>
      <image:title>Overview</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1549616084192-RKBH2AQJJXYU9XDJ2THU/JPEG_EN-Logo-Original-SHARED-170802.jpg</image:loc>
      <image:title>Overview</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1629893390094-NSID046F7GFJFYX4S0RN/0_project_overview.gif</image:loc>
      <image:title>Overview</image:title>
      <image:caption>Fig.1: Overview of project flow in four iterative phases. Findings from each phase are fed into the next, becoming increasingly focused over the course of the project. In this iterative process, each phase is repeated several times in order to achieve comparability and to standardize the path of knowledge production.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.360storytelling.org/theory/immersion-in-audiovisual-media</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-08-07</lastmod>
  </url>
  <url>
    <loc>https://www.360storytelling.org/theory/time-and-space-forms-in-360-film</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-08-07</lastmod>
  </url>
  <url>
    <loc>https://www.360storytelling.org/theory/type-in-virtual-reality</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-08-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580398562696-7W77H2U9RU6IBK6015RK/Sherlock_Holmes_4.jpg</image:loc>
      <image:title>Type in Virtual Reality</image:title>
      <image:caption>Still aus der Serie Sherlock Holmes, Season 3 (BBC, GB 2014)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bcf2bcac2ff6129ecf5fe05/1580397141037-4QUPONAPU6GUT0GNP93R/Caligari.jpg</image:loc>
      <image:title>Type in Virtual Reality</image:title>
      <image:caption>Still aus Cabinet des Dr. Caligari (Robert Wiene, D 1920)</image:caption>
    </image:image>
  </url>
</urlset>

